Archive
Every article on the site, 121 of them, newest first. The homepage carries what is recent and each section carries its own slice; this is the whole thing in one place.
October 2026
- 13 Oct Inharmonic partials: why a bar or a drum has a less certain pitch than a string Guide
- 13 Oct Release time: why the same fast release distorts the bass and leaves the mids clean Guide
- 13 Oct Linear-phase EQ: what the latency buys, and why the ringing moves in front of the note Guide
- 13 Oct Rupert Neve Designs' pulled plug-ins are back at v1.0.7, with the warning still up Effect
- 13 Oct AudioThing's Materia rebuilds samples from 96 partials and stores the model in the project Instrument
- 12 Oct Cableguys' TimeStop draws tape stops as automation, and can keep the beat Effect
- 11 Oct Rob Papen's Quad-2 gives its new ribbon a modulation matrix of its own Instrument
- 10 Oct Falcon 2027 turns the movement in an audio file into a modulation source Instrument
- 9 Oct Cherry Audio's Pentaphonic revives a synth that solved tuning with microprocessors Instrument
- 9 Oct Baby Audio's HyperWarp chops the signal and lets you redraw the order Effect
- 8 Oct Softube's Limit Pro can release the kick slower than the snare Effect
- 7 Oct Imaginando's COLAPSO builds its partials from measured atomic emission lines Instrument
- 3 Oct CARBON Q splits a reference track into four stems and EQs your mix against each Effect
- 1 Oct UA's new Volt range sells onboard compression and extra I/O at the same $299 Hardware
September 2026
- 29 Sept Spitfire and BT's Phoenix lets any sample act as an FM operator Instrument
- 26 Sept Stereo linking: the control that decides which channel pays Guide
- 25 Sept BLEASS and KERN both shipped reverbs that listen to the dry signal Effect
- 24 Sept Maschine 3.7 adds two kinds of note probability and a Euclidean sequencer DAW
- 23 Sept Scaler EQ Pro turns the notes you play into EQ bands Effect
- 22 Sept Leapwing CenterOne 3 adds multiband control and a sidechain to the phantom centre Effect
- 21 Sept Lunacy's NOVA is a free host for instruments that live in the cloud Instrument
- 21 Sept Acoustica 8 drops the noise-profile step from DeNoise and DeHum DAW
- 21 Sept Buffer size: the one setting you are supposed to change twice a session Guide
- 18 Sept MiniFreak V 5.0 takes your samples and converts them to 12-bit Instrument
- 18 Sept LUNA 3.0 puts stem separation in the free tier and caps it at four tracks DAW
- 18 Sept Ring modulation and frequency shifting: same number, different spectrum Guide
- 16 Sept Digital Performer 12 separates stems in-house and renders Atmos inside the DAW DAW
- 12 Sept ADSR: three of the four controls are times and one is not Guide
- 12 Sept Envelope followers: the modulation source that has no shape of its own Guide
- 12 Sept Hard sync: why it changes the harmonics without changing the note Guide
- 9 Sept Bass distortion: what changes when the sub goes through it too Guide
- 9 Sept FM ratios: why one number decides whether the harmonics follow the note Guide
- 9 Sept Dynamic EQ: why it reacts differently from a multiband compressor Guide
- 9 Sept EQ Q: why the same number does not give the same curve Guide
- 9 Sept Chorus: why it starts with a delay that will not sit still Guide
- 9 Sept Euclidean sequencing: steps, hits and rotation do three different jobs Guide
- 9 Sept AudioThing's Orbita runs eight rhythmic cycles that refuse to line up Instrument
- 5 Sept Xils Lab MemoryTone joins a crowded field of Memorymoog emulations Instrument
- 3 Sept TONEX Board merges TONEX and AmpliTube into one floorboard Hardware
August 2026
- 30 Aug Clipping and limiting: same peak, different waveform Guide
- 29 Aug Cherry Audio's Memorymode 2 doubles voices, adds MPE support Instrument
- 29 Aug Arturia's Pure SUB keeps the fundamental out of the distortion path Instrument
- 29 Aug Sidechain filtering: changing what the compressor hears, not what you hear Guide
- 28 Aug Polyend Keys turns a mechanical keyboard into a three-octave MIDI controller Hardware
- 28 Aug DAWs, honestly reviewed: six of them, by someone who has used them all DAW
- 28 Aug Reason Free puts 15 Rack devices in any DAW with no expiry Instrument
- 27 Aug Stereo correlation: what the meter is actually measuring Guide
- 26 Aug Bitwig Studio 6.1 turns Sampler into a slicer with five ways to cut DAW
- 25 Aug Move 2.1 bounces a MIDI clip to audio without stopping the transport Hardware
- 21 Aug Pittsburgh Modular shrinks the SV-1 semi-modular synth for 2027 Hardware
- 21 Aug MIDI clock: why 24 timing messages can still drift Guide
- 20 Aug MIDI velocity: why 64 is not half as loud as 127 Guide
- 19 Aug Behringer D Mini brings paraphonic Minimoog voicing Hardware
- 19 Aug Transient shapers: how attack and sustain controls find events Guide
- 19 Aug DC offset: why a shifted waveform costs usable headroom Guide
- 18 Aug Minimal Audio's Lucid is a granular multi-effect with two playback engines Effect
- 18 Aug Note priority: why held keys change a monosynth phrase Guide
- 17 Aug Gate hysteresis: how separate thresholds stop trigger chatter Guide
- 17 Aug Comb filtering: why a 1 ms delay cuts every other kilohertz Guide
- 16 Aug Crest factor: why equal peaks can behave completely differently Guide
- 15 Aug Audio Damage AD-202 turns the MC-202 into an 8-voice polyphonic synth Instrument
- 15 Aug Delay feedback: why 90 percent lasts much longer than 50 Guide
- 15 Aug True peak: why samples below zero can still clip Guide
- 14 Aug SinTH2 is a €5,800+ built-to-order synth with 60-voice polyphony Hardware
- 14 Aug Pan law: why a centred channel changes level while moving Guide
- 14 Aug Compressor ratio: what 2:1, 4:1 and 10:1 actually mean Guide
- 14 Aug Karno's SEPIA keeps the analogue and adds the recall, which is the other way round Hardware
- 13 Aug Why analogue sounds wider, and how much of it is components being slightly wrong Guide
- 13 Aug Manley's Dual EQ series is passive, which is exactly why it is full of tubes Hardware
- 13 Aug AudioScape's Rev Blue 76A rebuilds the noisy 1176, on purpose Hardware
- 12 Aug Diamond Color EQ 4 arrives with an AUTO control users are reading as a bug Effect
- 12 Aug Softube's Reference 1998 and 1956 are a Massive Passive and a Pultec, and cannot say so Effect
- 12 Aug HoRNet SpectraDuck does spectral ducking at 5 ms, which is the interesting number Effect
- 12 Aug AIR's Fabric Vintage Andromeda samples the Alesis A6, which is a different thing from modelling it Instrument
- 12 Aug The Dangerous Music BAX EQ plugin puts a 1952 hi-fi tone control on a mastering bus Effect
- 12 Aug MadeOnEarth's LedRover is a stereo diode distortion built around the TB-303 Hardware
- 11 Aug Two ways to put MIDI in a TR-808: a commercial mod and open-source firmware Hardware
- 8 Aug Reading a spectrum analyser without chasing it Guide
- 7 Aug Parallel compression: what the blend actually does to the ratio Guide
- 6 Aug Rave Generation's Master Bus Processor puts six master stages in one window Effect
- 6 Aug MONOCHORD plays a chord per key and sends the whole performance out as MIDI Instrument
- 6 Aug Audiocube Space moves 3D sources between separate plugin instances Effect
- 6 Aug Lookahead: why a limiter delays your audio to see a peak coming Guide
- 6 Aug Dither: what it fixes, and why it has to be the last thing you do Guide
- 5 Aug UAD's EMT 140 and 250 plate reverbs now run without Apollo hardware Effect
- 4 Aug Glitch² 2.1.5 goes free on all three platforms Effect
- 4 Aug ZL Spectrum Equalizer ducks every FFT bin against its matching sidechain bin Effect
- 3 Aug Vermona's drumDING samples its own analog voice into six tracks Hardware
- 3 Aug SSL's Odyssey puts instant recall behind an all-analogue signal path Hardware
- 3 Aug Pre-fader and post-fader sends: what the switch actually changes Guide
July 2026
- 28 Jul Nudging tracks off the grid: what moving a part 10 ms actually changes Guide
- 28 Jul Pitch and formants: why transposing a vocal changes more than the note Guide
- 28 Jul Hermetic Modular's Alchemy Lab is an open SDK Eurorack platform Hardware
- 27 Jul Mid/side processing: what the centre and sides really contain Guide
- 27 Jul NUSofting Dig Vox models a vocal tract instead of sampling a singer Instrument
- 27 Jul UDO DMNO lets two four-voice synths pass notes and audio between them Hardware
- 26 Jul Sidechain ducking: compressor or volume shaper, and when each one fails Guide
- 26 Jul Pre-delay: how to add reverb without pushing a vocal backwards Guide
- 25 Jul How to A/B a plugin honestly, and why louder always wins Guide
- 25 Jul ASM gives the Leviasynth sequencer a more musical way to evolve patterns Hardware
- 24 Jul Cytomic details The Glue 2's DBX 202 modelling and new harmonics control Effect
- 24 Jul OceanSwift's DevOcean Modular fits 140 modules into a standalone app Instrument
- 24 Jul Aliasing: why a distortion plugin can sound cheap for no obvious reason Guide
- 23 Jul Even and odd harmonics, and which saturation you actually want Guide
- 23 Jul Strymon's TimeLine MX adds a granular delay and runs two engines at once Hardware
- 23 Jul PEEL STEMS 2 cuts real-time stem-separation latency nearly in half Effect
- 23 Jul Baby Audio's SubCulture makes bass enhancement follow every note Effect
- 23 Jul SinTH2 puts 120 knobs on a 60-voice synth you can only order direct Hardware
- 22 Jul Soothe3: oeksound rebuilds the plugin half the industry mixes through Effect
- 22 Jul Three years late, Behringer's AKS Mini opens pre-orders at €119 Hardware
- 22 Jul Audio Damage's Tessera turns any audio into chords that stay in key Effect
- 22 Jul reFX confirms Rippler: Tilr's closed-source freeware synth goes commercial Instrument
- 22 Jul UAD 11.9 brings Black Box HG-2 and elysia karacter to Apollo DSP Effect
- 22 Jul Logic Pro 12.3 expands Beat Breaker and Alchemy DAW
- 22 Jul FL Studio 2026 rebuilds FLEX and lets Gopher edit your session DAW
- 22 Jul Behringer's JT-2 reaches Europe: one Jupiter-8 voice for €179 Hardware
- 22 Jul Filter slopes: what 12 dB and 24 dB per octave actually do Guide
- 22 Jul PSP BBDelay: Vintage BBD character Effect
- 22 Jul DubBox by Vochlea: Turn vocal recordings into production-ready loops Instrument
- 22 Jul Boz Digital Labs Automator Effect
- 22 Jul Native Instruments Super*Saw: Dense Sawtooth Sounds Without the Clutter Instrument